Saturday, August 3, 2019
The Theater of Dionysus :: essays research papers fc
 The Theater of Dionysus    The Theater of Dionysus was Europe's first theater, and stood immediately below  the Parthenon in Athens, Greece. It was originally built in the late 5th  century B.C. The theater was an outdoor auditorium in the shape of a great  semicircle on the slope of the Acropolis, with rows of seats on which about  eighteen thousand spectators could comfortably seat. The front rows consisted of  marble chairs, and were the only seats in the theater that had a back support.  The priests of Dionysus and the chief magistrates of Athens reserved these rows.  Priests claimed 50 of the 67 front row seats, then came the officials, the  guests of honor, then finally the ordinary citizens of Athens. Beyond the front  row, stood a circular space called the orchestra where the Chorus would sing and  dance, and in the center of which stood the alter of Dionysus. The orchestra  level was around 3 meters higher than the shrine. Behind the orchestra, there  lied a heavy rectangular foundation known as the stage on which the actors would  perform their section of the play. The back of the stage had a building painted  to look like the front of a temple or a palace. Here, the actors would retire  when they were not needed on stage or would go to when they had to change their  costumes. Above lay the deep blue sky, behind it was the Acropolis, and seen in  the distance was the olive colored hills and lush green of the forests that  surround.    The theater was built as a result of the Athenian's religious practice in honor  of the god, Dionysos, who personified both wine and fruitfulness. Long before  the theater itself was built, an annual ceremonial festival was held for  Dionysus in the same spot. This ancient ceremony was performed by choruses of  men who sang and danced in the god's honor. Spectators would gather in a circle  to watch these dancers; that was the way that the theater took its circular  shape. When the theater was built, the performers only sang and danced about  the stories of Dionysus's life, then later the stories of other gods and heroes.  The stories were told in the form of a song, chanted at first by all who took  place, then later by a chorus of about fifty performers. During the intervals  of a song, the leader would recite part of the story himself. As time passed,  these recitations became more and more important, as it eventually overtook the  chorus. They were now presented by two or three people, while the chorus    					    
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